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I had been told that the assignment was a bit kinky, but a weekend stopover in Hawaii and three days on my own in Tokyo, paid for by the generous fee addition, were enough for me not to care. My pimp, Leon, told me to make myself blond all over, which I had grown used to in any assignment sending me to the Orient. And I was a bit intrigued because I was told up front that the client was Matsu Shinjuto, an elusive Japanese billionaire, much of whose wealth came from his Japanese ink paintings and block prints of ancient Shinto shrines during the various seasons.

The limousine sent for me at the hotel stopped at a massive set of iron gates at the base of a sharp steep slope up a hill, heavy with ferns and carefully pruned weeping trees, and I climbed slowly up to a hilltop eerie high above Kyoto, where my client had placed his many-pavilioned Japanese-style mansion floating over Japan's cultural capital. As I climbed, I looked up at the red-lacquered railings on the terraces above, sensing many sets of eyes on me, assessing me, although I wasn't able to discern any movement.

I entered the compound through a brightly painted torii gate, ushered by a black-robed figure nearly bent at the waist. We moved silently on stockinged feet through a series of white rice-papered-walled, wood-framed pavilions seemingly floating in the clouds. Between each pavilion was a austerely beautiful, uniquely landscaped stone garden atrium straight out of the master's style of painting. I was to find ...

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